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Renato Zero ((:reˈnaːto dˈdzɛːro)) is the stage name of Renato Fiacchini (born 30 September 1950), an Italian singer, songwriter, producer, dancer and actor whose career spans a full 6 decades, from the 1960s to the 2010s, with 40 million records sold, becoming one of the best-selling Italian music artists.〔http://www.ilsussidiario.net/News/Musica-e-concerti/2010/9/23/RENATO-ZERO-Compie-60-anni-uno-dei-cantanti-piu-amati-d-Italia-L-intervista-Sono-profondamente-religioso-/114566/〕 Zero was born Renato Fiacchini in downtown Rome, in Via di Ripetta, next to the famed Via del Corso. He quit his studies early to devote himself to his true passion, the arts, more specifically playing music and singing - though initially with little success. From an early age, he would wear make-up and cross-dress. He replied to the criticisms he received (including the recurring insult ''Sei uno zero!'' - "You're a zero!") by taking on the pseudonym Renato Zero. He recorded his first songs in 1965: "Tu", "Sì", "Il deserto", "La solitudine", which were never issued. His first published single, "Non basta sai/In mezzo ai guai" (1967), sold a total of 20 copies and was quickly forgotten. He had several different jobs, including an appearance in an advertisement for ice-cream, work as a dancer in a TV show, playing and dancing in two musicals and a couple minor roles in two Fellini movies. In the late 1960s/early 1970s Zero's career was given a boost by the glam-rock movement, from which he benefited with his sexual ambiguity and androgynous appearance. At the same time, this led him to being accused of emulating other celebrities like David Bowie and, in particular, Marc Bolan. In 1973 he issued his first LP, ''No! Mamma, no!'' (recorded live), but still with little success. The follow-up ''Invenzioni'' met the same fate. ==Birth of the "Zeromania"== It was not until 1976 that he scored his first hit with the single "Madame", a collaboration with songwriter Franca Evangelisti and composer Piero Pintucci, with whom Zero continued to work in the years that followed. "Madame" and the album including it, ''Trapezio'', established a regular and loyal audience for Zero. This was to increase exponentially in the following years, until he could boast a huge following of die-hard fans that he dubbed ''Sorcini'' ("Little Mices"). Among his greatest hits at the time, all of them topping and breaking the Italian charts for quite some time, "Mi vendo", "Morire qui", "Triangolo", "Baratto" still are really popular in Italy, and were among all disco clubs playlists. The late 70's-beginning of 80's were indeed years of great success for Zero's character, with the LPs ''Zerofobia'' ("Zerophobia", 1977), ''Zerolandia'' (1978), ''Erozero'' (1979), "Tregua" (1980), "Artide Antartide" (1981), "Via Tagliamento" (1982) and "Calore" (1983) topping the Italian charts. At this time Renato Zero was amongst the two or three ''most popular singers in Italy'' and his songs "Il cielo", "Il Carrozzone", "Amico", "Più su" and "Spiagge" were already regarded, also by critics, as some of the best Italian songs ever. The name Zerolandia referred also to the moving theatre (a circus tent with a capacity of 5,000) in which he gave shows throughout Italy. On numerous occasions fans would participate in the gigs, made-up like Zero and dressed in his typical bird-like and strass-decorated costumes. In 1979 Zero played as himself in the movie ''Ciao Nì'' (his usual greeting to his fans, which is a term of endearment that can be roughly translated as "hi dear!"). In Italy this film grossed more than the American blockbuster ''Superman''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Renato Zero」の詳細全文を読む スポンサード リンク
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